Sentence for germany | Use germany in a sentence

Germany example sentence. The sentences below are ordered by length from shorter and easier to longer and more complex. They use germany in a sentence, providing visitors a sentence for germany.

  • Fay.—Music Study in Germany. (3)
  • His works have recently been published in Germany. (3)
  • I thought it amazing he should guess that in Germany. (10)
  • I reminded Miss Goodwin of my father being in Germany. (10)
  • Give an account of the introduction of opera into Germany. (3)
  • Lord Fleetwood ran about in Germany repeating his remarks. (10)
  • It is the same in Germany, in France, in Russia, everywhere. (8)
  • My convalescence in Germany was a melody compared with this. (10)
  • Too poor to go to Germany, he lived by teaching violin at first. (3)
  • What contributed to make Germany a congenial field for Oratorio? (3)
  • I have established him, on his majority, in Germany, at a Court. (10)
  • I received permission to practise in Germany, and began life anew. (12)
  • In Literature, this movement was led by France; in Music, by Germany. (3)
  • I suppose we shall travel about through Germany, and then go to Paris. (9)
  • The failure of the rebellion necessitated a hasty flight from Germany. (3)
  • He was in high favor in the courts of Poland, Germany, Sweden and England. (3)
  • It cost me a struggle to turn aside to Germany from the Italian highroad. (10)
  • In 1802, he went on a concert-tour with Clementi to Paris, Germany and Russia. (3)
  • In 1858, he went to Germany to study and gave particular attention to the organ. (3)
  • But the odd thing is to find the apotheosis of the rococo away up here in Germany. (9)
  • Our plan is to go to Switzerland and Germany, and so down to Italy for the winter. (14)
  • This device originated in Germany and has found the most favor from German composers. (3)
  • The first organ used in Germany was made in 812, modelled after the one just mentioned. (3)
  • He aims to blend the old polyphonic style with the rich instrumentation of modern Germany. (3)
  • Three years after his return to Germany an unlooked-for change took place in his fortunes. (3)
  • He commenced his career early and appeared in opera in Italy, later in England and Germany. (3)
  • A little after this Clemens went abroad with his family, and lived several years in Germany. (9)
  • On the way from Germany to Venice, he had found himself at the Hotel Goldene Alp at Salzburg. (8)
  • It was soon given in all the principal theatres in Germany, including Dresden, and also in Vienna. (3)
  • The first organ containing this marked improvement was made for the Cathedral at Magdeburg, Germany. (3)
  • But there is no joking in Germany, between the first and second childhoods, unless behind closed doors. (9)
  • She stared at hearing that we knew only the word ja, for it made our presence in Germany unaccountable. (10)
  • The Passion Play, still given today at Oberammergau, Germany, is a relic of the old-time religious plays. (3)
  • After he had learned the duties of a ruler from A to Z, he returned to Germany to woo his cousin Walpurga. (5)
  • He planned a trip to Germany, but when Liszt came to Rome he remained there to study under that great master. (3)
  • General Triscoe seemed no better satisfied with Germany than he had been on first stepping ashore at Cuxhaven. (9)
  • We favoured Germany with them now and then, before Germany became the first power in Europe. (10)
  • We had paddled and sailed 1775 miles through Germany, Austria, Hungary, Servia, Bulgaria, Roumania, and Russia. (20)
  • The right course would have been for me to ask him then and there whether I had his consent to start for Germany. (10)
  • His interest in music and musical work proved too strong for him and he went abroad to Germany and France to study. (3)
  • We therefore turn our attention to the important developments in instrumental music which were effected in Germany. (3)
  • Spontini was the last of the many Italians who had for a century and a half borne almost uninterrupted sway in Germany. (3)
  • He was a man distinguished even in Germany for scholarship, rather notorious for his political and social opinions too. (10)
  • Then he talked of the littleness of Europe and the greatness of Germany; logical postulates fell in collapse before him. (10)
  • In Germany and England the desire to understand clearly the dramatic movement led to the retention of dialogue in all operas. (3)
  • Yet we know from history, in England, France, Germany, that the time of nonconformity brought out the manhood of the nation. (10)
  • I agreed with my father that we could not remain in Germany; but how could I quit the field and fly to England on such terms? (10)
  • He remained in Germany as pianist, composer and teacher until 1888, when he returned to the United States and settled in Boston. (3)
  • Barons and knights of the empire, bravely mounted and thickly followed, poured hourly into Cologne from South Germany and North. (10)
  • I saw him last in the hour of those tremendous adieux which were paid him in New York before he sailed to be minister in Germany. (9)
  • Thus far in Germany it has been felt more in the development of program music, the symphonic poem, etc., than in the music drama itself. (3)
  • The Powers represented in the active commission are Great Britain, Austro-Hungary, France, Germany, Italy, Roumania, Russia, and Turkey. (20)
  • In connection with the educational writers just mentioned, =Federigo Fiorillo=, born 1753, in Germany, of Italian parents, is to be noted. (3)
  • The annoyance for me was that I could not detach myself from a contemplation of these various scenes, by reverting to my life in Germany. (10)
  • Those who distrusted her declared her to be a secret agent of Germany, yet she enjoyed the friendship of French and British diplomatists. (12)
  • Have you not lived among us long enough to know that the German Diet is the seat of domestic legislation for the princely Houses of Germany? (10)
  • It meant the birth of German opera, German alike in drama and music; it gave the final blow to the supremacy of foreign influences in Germany. (3)
  • In Italy, the terms Clavicembalo and Gravicembalo were given to it, while in Germany it was called Flügel, or wing, from its wing-shaped cover. (3)
  • This was Wagnerian in style, and at once the critics assailed him fiercely for trying to bring Bohemia under the musical domination of Germany. (3)
  • In northern nations it took the direction of rebellion against prevailing religious and political conditions, for example, in Germany and England. (3)
  • Notwithstanding the repulsive nature of the subject, its powerful treatment brought it immediate success in Germany and a little later in England. (3)
  • But Richard Strauss (born at Munich, Germany, 1864) has made a further advance in this respect, and handles the full modern orchestra with the utmost skill. (3)
  • He kept up his studies with Boston teachers, in composition with Chadwick, and afterwards with Rheinberger, in Germany, in which country he remained until 1885. (3)
  • Concertos, string quartets, trios, and, most important of all, symphonies, came to be written in great numbers; and throughout Germany a mania for orchestral music arose. (3)

Also see sentences for: germain, german, germans.

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