Sentence for liszt | Use liszt in a sentence

Sentences for liszt. The sentences below are ordered by length from shorter and easier to longer and more complex. They use liszt in a sentence, providing visitors a sentence for liszt.

  • Newman.—A Study of Liszt. (3)
  • Saint-Saëns.—Franz Liszt. (3)
  • Habets.—Borodin and Liszt. (3)
  • Compare Rubinstein and Liszt. (3)
  • Name some later pupils of Liszt. (3)
  • Liszt gradually recovered, however. (3)
  • From 1883-1886, he studied with Liszt. (3)
  • Ramann.—Franz Liszt as Artist and Man. (3)
  • What important form did Liszt originate? (3)
  • In what styles and forms of composition did Liszt write? (3)
  • Which one has made masterly transcriptions of Bach and Liszt? (3)
  • What song composer was brought into greater prominence by Liszt? (3)
  • Chief among them is =Giovanni Sgambati=, born 1843, a pupil of Liszt. (3)
  • His most celebrated pupils were Franz Liszt and Theodore Leschetizky. (3)
  • The lessons on Schubert, Schumann, Liszt, etc., mention notable songs. (3)
  • He studied at Graz, Prague, Leipzig, and, finally, with Liszt, at Weimar. (3)
  • Liszt studied composition, however, with Paer and afterwards with Reicha. (3)
  • Give a sketch of the important factors in the making of Liszt the pianist. (3)
  • In this country Miss Adele aus der Ohe, a pupil of Kullak and Liszt, =Mme. (3)
  • Its teachers follow their own traditions, yet have assimilated from Liszt. (3)
  • From 1848 to 1861 Liszt passed the most significant period of his life at Weimar. (3)
  • He studied the piano with Liszt at Weimar, and soon acquired a remarkable technic. (3)
  • Smetana became an ardent admirer of Liszt, at whose house his own career was decided. (3)
  • He may be regarded as second only to Liszt, and in some respects he even surpassed him. (3)
  • The foregoing account does not begin to enumerate all, merely the celebrated pupils of Liszt. (3)
  • Liszt, however, has transcribed six, of which two are frequently heard in concert, while Sgambati has arranged one. (3)
  • Delaborde=, a pupil of Alkan, Moscheles and Liszt, has taught at the Paris Conservatory since 1873. (3)
  • He published two symphonies and several symphonic poems, the latter showing the influence of Liszt. (3)
  • In 1847, Liszt met the Princess von Sayn-Wittgenstein, who exercised a remarkable influence over him. (3)
  • Among romantic composers he has done more for the advancement of piano style than anyone except Liszt. (3)
  • He received his early training in England, but in 1881, as a prize scholar, he studied with Liszt at Weimar. (3)
  • He planned a trip to Germany, but when Liszt came to Rome he remained there to study under that great master. (3)
  • As a rule, he was averse to seeing much of musicians, in spite of his friendship with Liszt, Hiller, Berlioz and Schumann. (3)
  • His works show the influence of Liszt and Berlioz, mingled with the stricter style of the old Italian contrapuntal writers. (3)
  • During this period Liszt composed much for piano, made many transcriptions, and began his literary activity on musical subjects. (3)
  • In 1886, Liszt became overtaxed by a series of trips to hear his own works performed, including a reception in his honor at London. (3)
  • When Liszt was in the height of his career as a virtuoso, few could master the difficulties which his epoch-making works presented. (3)
  • Musically his studies cannot be compared with those of Chopin or Liszt, but they merit attention, particularly in the modern editions. (3)
  • Liszt scored the accompaniment of several Schubert songs for orchestra, he also orchestrated several of the Schubert four-hand marches. (3)
  • At first a pupil of Mikuli, a disciple of Chopin, and later of Joseffy, he came ultimately to Liszt, with whom he studied for ten years. (3)
  • Beginning with a strictly classical education, Liszt evolved a new technic which completely summed up the difficulties of piano playing. (3)
  • Among English pianists, =Frederic Lamond=, a pupil of the Raff Conservatory, of von Bülow and Liszt, and =Leonard Borwick=, a pupil of Mme. (3)
  • His performance was so extraordinary that some of those present agreed to give Liszt a pension for six years to insure his proper education. (3)
  • Among other talented pupils of Liszt may be mentioned Alfred Reisenauer, Arthur Friedheim and Richard Burmeister, all of whom have been heard in this country. (3)
  • Of a somewhat independent development from Liszt, although much influenced by his personality and his method, was =Anton Rubinstein=, born in 1829, died in 1894. (3)
  • His studies, concertos and smaller pieces show great individuality of technical style, besides being among the most valuable contributions to piano literature since Liszt. (3)
  • His articles on Schubert, Mendelssohn, Gade, Chopin, Berlioz, Liszt, Brahms and others formed a new epoch in musical criticism, and helped the cause of Romanticism immeasurably. (3)

Also see sentences for: lists, lit.

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