Sentence for style | Use style in a sentence

A sentence using the word style. The sentences below are ordered by length from shorter and easier to longer and more complex. They use style in a sentence, providing visitors a sentence for style.

  • Clelia is modern style. (10)
  • Jeff liked the style of this. (9)
  • Fervidness is the core of style. (10)
  • Tell about his style and training. (3)
  • Vernon remarked in simpleton style. (10)
  • Put all the style you want into the finish. (13)
  • Undoubtedly she had a taking face and style. (10)
  • To my thinking, he has a fine style: conscious? (10)
  • His style was too polished to admit of real vigor. (3)
  • The fine reading-room was decorated in the Adam style. (8)
  • Beauty, you will say, is easily painted in that style. (10)
  • He answered her in the same style, and the subject dropped. (4)
  • How many houses of modern Colonial style have ugly dormers! (17)
  • She used always to dress in this colour; just in this style. (10)
  • Which French composers represent the older style; which the new? (3)
  • Individual style becomes blended in the common style. (16)
  • A more sudden metamorphosis of style is unknown in the history of music. (3)
  • The Italian poets Tasso and Petrarch were masters in this style of writing. (3)
  • Describe the typical Opéra Comique and name some notable work in this style. (3)
  • I would have everything done in the best style, and made as nice as possible. (4)
  • I am not in the habit of being addressed in the style he has chosen to adopt. (19)
  • The style of the visit, and the shortness of it, were then felt to be decisive. (4)
  • I wrote a diary, and I tried to give its record form and style, but mostly failed. (9)
  • A passenger came ashore, a young man dressed in the style of a Parisian of fashion. (18)
  • His style was distinguished by precision, clearness, and command of brilliant effect. (3)
  • Kendricks agreed with him, but wished to add the name of Flaubert as a master of style. (9)
  • Their newness of style and difficulty of execution estranged both public and musicians. (3)
  • Authors are largely matters of fashion, like this style of bonnet, or that shape of gown. (9)
  • And he may be one of the great men of his time: he has a quite individual style of dress. (10)
  • By such degrees my grandfather worked himself up to the pitch for his style of eloquence. (10)
  • If you have ever thought upon style you will acknowledge it to be a signal accomplishment. (10)
  • Countess Ammiani was an aristocrat: the tone and style of the writing were distasteful to her. (10)
  • His style is sometimes bizarre and involved, but his themes are always effective and significant. (3)
  • And he accused Murat of carelessness of his horses, ingratitude to his benefactor, circussy style. (10)
  • Our simplest prose style is nearer to poetry with us, for this reason, that the poets have made it. (10)
  • What forms of composition were being worked out while the polyphonic style was reaching a culmination? (3)
  • Verdi first gave up the trivial melodies so dear to the Italian populace, and adopted a worthier style. (3)
  • He expressed no regret for what he had done which satisfied her; his style was not penitent, but haughty. (4)
  • His countenance was thoroughly good-humoured; and his manners were as friendly as the style of his letter. (4)
  • In his works one can note a further progress in smoothness of style and examples of well managed imitation. (3)
  • These works treat their subjects with modern spirit and passion, instead of the more classic oratorio style. (3)
  • From this it would be supposed that Palestrina had shown an entire change in style, yet this was not the case. (3)
  • His daughters wondered why he should, in the presence of this stranger, exaggerate his peculiar style of speech. (10)
  • Few of his confessions are better known than those on his apprenticeship in style to the great authors of the past. (2)
  • Clementi displayed more virtuosity, while Mozart charmed by his singing-tone, finished phrasing and expressive style. (3)
  • Regardless of its style, its grammar, or its politics, it holds its reader with a grip that the city editor may well envy. (16)
  • And writing for the stage would be a corrective of a too-incrusted scholarly style, into which some great ones fall at times. (10)
  • In fact, the German style of organ playing may be said to have developed from the chorale and from the music of the Reformation. (3)
  • Such a serious style prefigured the variations upon dance tunes, which were especially cultivated by =William Byrd= (1538-1623). (3)
  • Goldoni sketched the Venetian manners of the decadence of the Republic with a French pencil, and was an Italian Scribe in style. (10)
  • The beautiful concision of style in this document gave Algernon a feeling of profound deference toward the law and its officers. (22)
  • He shook hands with each of them in the same kindly cold way, elicitating from Adrian a marked encomium on his style of doing it. (10)
  • His style was broad and bold and contained much of that serious and earnest character now attributed to his Teutonic associations. (3)
  • I have elsewhere sufficiently spoken of his unsophisticated use of words, of the diction which forms the backbone of his manly style. (9)
  • He was a remarkable pianist, with an immense command of technic, original in style and eloquent in expression; also a forceful conductor. (3)
  • She tore up the cheque in style, and presented me the fragments with two or three of the delicacies of language she learnt at your Academy. (10)
  • With Imitation came Counterpoint of a more highly developed form; an inevitable step toward the fugal style of the later polyphonic periods. (3)
  • But it is no wonder that Plutarch, writing when Athenian beauty of style was the delight of his patrons, should rank Menander at the highest. (10)
  • It can hardly be doubted that a style of performance that was esteemed in the 15th, was perfectly satisfactory to the ears of the 10th century. (3)
  • They show a modulatory style, combined with a rare melodic beauty that seems strange in a composer who indulges in so much orchestral ugliness. (3)
  • He began by imitating the form and style of Mozart and Beethoven; but from his eighteenth year onward he developed an individuality entirely apart. (3)
  • We give part of a composition by di Lasso showing his broad style and the increasing use of what sounds suspiciously like our modern chord progressions. (3)
  • He seems to have been impressed with the tone-producing qualities of the di Salo violins, for his best instruments have something of their bold, vigorous style. (3)
  • Under the new influence, Strauss renounced his classical style, and began to compose the tone-pictures and symphonic poems that have made his name so important. (3)
  • Highly cultivated in literature, philosophy and poetry, he possessed a keen and discerning critical taste, and a literary style that was picturesque and eloquent. (3)

Also see sentences for: call, chic, custom, demeanor, entitle, fashion, guise.

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